Anyma’s “The End of Genesys”, kicked off December 27, 2024, at The Sphere in Las Vegas, turned a New Year’s residency into a global 3D design phenomenon. Matteo Milleri (aka Anyma) unleashed a fully 3D-rendered world across the venue’s 16K LED dome, blending festival vibes with cinematic scope—selling out eight shows in a day and adding four more by March 2025.
“The Sphere let us build a digital universe that feels alive—it’s 3D design at its peak.”
Matteo Milleri (Anyma)
Built in 3D
Crafted in Unreal Engine by Anyma’s team, including Alessio De Vecchi and Woodblock studio, the visuals—a towering humanoid shattering glass, cosmic landscapes, and pulsing avatars—lived as pure 3D creations.
Every frame was designed to wrap The Sphere’s 580,000-square-foot screen, syncing with beats in real time, a feat Rolling Stone called “a volumetric marvel” in January 2025.
Spacial Audio
The visuals synced tightly with The Sphere’s top-tier spatial audio, powered by Dolby Atmos. Sound danced around the dome, matching every 3D beat and cue on-screen. This fusion plunged the crowd into a full-body experience, blending music and visuals into one seamless, immersive ride.
Global Echo
This wasn’t just a concert—it was a 3D design event that hit Newsweek, Variety, and BBC headlines, with 130,000 attendees across the run.
Industry voices like Billboard hailed it as “a new benchmark for live visuals,” while Anyma’s fusion of art and tech keeps it trending into 2025, redefining festival-scale 3D creativity.
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